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Category: Social Justice

Palabras for Puerto Rico #PuertoRico

I am helping to host an online fundraiser via YouCaring for Festival de la Palabra, located in Loíza, Puerto Rico. Please help us reach our $5,000 goal: http://youcaring.com/PalabrasPR

The mission of Festival de la Palabra is to internationalize Puerto Rican literature through the promotion of reading and creative writing in Puerto Rico and the creation of meeting spaces between writers and readers at school, national and international levels. Since Hurricane Maria, organizers and volunteers from Festival de la Palabra (FDLP) have been engaged in relief activities supporting some of the most isolated communities and youth through the arts. FDLP’s projects are based in Loíza, Puerto Rico, a historically Afrxdescendiente area of the island.

In case you missed that part — These funds are going to support Black Diasporic Puerto Ricans. Yes, of course, this is the part of the island that is receiving the least amount of attention, the least amount of aid, and has the greatest need.

RACE, MEMORY, AND THE DIGITAL HUMANITIES CONFERENCE #RMDHatWM (with images, tweets) · @moyazb

Moya Bailey’s Storify of the Race, Memory, and the Digital Humanities Conference at William & Mary.

I delivered Thursday’s keynote. P. Gabrielle Foreman delivered the closing keynote. Marcia Chatelain gave a talk on Sunday morning. Pamela Z performed.

(Moya, we missed you)

Thank you Liz Losh for organizing an epic event. Experience it (or revisit) the events here:

Greene-Hayes and James’s “Cracking the Codes of Black Power Struggles: Hacking, Hacked, and Black Lives Matter” (The Black Scholar, Vol 47, No. 3, 2017) #BlackCodeStudies

Greene-Hayes, Ahmad, and Joy James. “Cracking the Codes of Black Power Struggles: Hacking, Hacked, and Black Lives Matter.” Black Code: Special Issue of The Black Scholar, edited by Jessica Marie Johnson and Mark Anthony Neal, 47, no. 3 (July 3, 2017): 68–78.

Driscoll’s “Color Coded: Mendi + Keith Obadike’s Black.Net.Art Actions and the Language of Computer Networks” (The Black Scholar, Vol 47, No. 3, 2017) #BlackCodeStudies

Driscoll, Megan. “Color Coded: Mendi + Keith Obadike’s Black.Net.Art Actions and the Language of Computer Networks.” Black Code: Special Issue of The Black Scholar, Edited by Jessica Marie Johnson and Mark Anthony Neal, 47, no. 3 (July 3, 2017): 56–67.

Brown and Crutchfield’s Black Scholars Matter: #BlkTwitterstorians Building a Digital Community (The Black Scholar, Vol 47, No. 3, 2017) #BlackCodeStudies

Brown, Aleia M., and Joshua Crutchfield. “Black Scholars Matter: #BlkTwitterstorians Building a Digital Community.” Black Code: Special Issue of The Black Scholar, Edited by Jessica Marie Johnson and Mark Anthony Neal, 47, no. 3 (July 3, 2017): 45–55.

Wade’s “New Genres of Being Human”: World Making through Viral Blackness (The Black Scholar, Vol 47, No. 3, 2017) #BlackCodeStudies

Wade, Ashleigh Greene. “‘New Genres of Being Human’: World Making through Viral Blackness.” Black Code: Special Issue of The Black Scholar, Edited by Jessica Marie Johnson and Mark Anthony Neal, 47, no. 3 (July 3, 2017): 33–44.

Conley’s Decoding Black Feminist Hashtags as Becoming: (The Black Scholar, Vol 47, No. 3, 2017) #BlackCodeStudies

Conley, Tara L. “Decoding Black Feminist Hashtags as Becoming.” Black Code: Special Issue of The Black Scholar, edited by Jessica Marie Johnson and Mark Anthony Neal, 47, no. 3 (July 3, 2017): 22–32.

Cramer and Raengo’s “Freeing Black Codes: liquid blackness Plays the Jazz Ensemble” (The Black Scholar, Vol 47, No. 3, 2017) #BlackCodeStudies

Cramer, Lauren McLeod, and Alessandra Raengo. “Freeing Black Codes: Liquid Blackness Plays the Jazz Ensemble.” Black Code: Special Issue of The Black Scholar, Edited by Jessica Marie Johnson and Mark Anthony Neal 47, no. 3 (July 3, 2017): 8–21.

Gumbs’s Coal: Black Matter Oracle (The Black Scholar, Vol 47, No. 3, 2017) #BlackCodeStudies #BlackMatterOracle

Gumbs, Alexis Pauline. “Coal: Black Matter Oracle.” Black Code: Special Issue of The Black Scholar, Edited by Jessica Marie Johnson and Mark Anthony Neal 47, no. 3 (July 3, 2017): 3–7.