We’ve got a map!!! Thank you Liz Losh and the team at the Equality Lab for this really amazing visualization of our DH work. Hope to see you all at Race, Memory and the Digital Humanities in a couple of weeks!
Seems appropriate to return to this now, again, with the murder of the young white woman protestor Heather Heyer in Charlottesville, but also with the Trump on the verge of pardoning Joe Arpaio, the truly disgusting racist and vile sheriff in Arizona whose detention centers were notorious spaces for rape and humiliation. This is also a Now when well-meaning liberals and humanists are expressing their fears that dismantling Confederate statues may lead to dismantling monuments to people like Columbus (Story of OJ “…..ok?” shrug), and news has been circulating that a Puerto Rican man, Alexander Ramos, was identified as one of the white supremacists marchers beating young Deandre Harris in a video from the rally….
Lovingly crafted by Adrienne Maree Brown, Naima Penniman, Adaku Utah, Mark-Anthony Johnson, and Autumn Brown:
“The trouble was that we couldn’t keep up. Just about every piece we published about Tamir immediately became a cesspool of hateful, inflammatory or hostile…
via the Lit Review Podcast:
“Invisible No More: Police Violence Against Black Women and Women of Color is a very timely examination of how Black women, Indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement.
[NOTE: Ritchie states explicitly in the podcast that *women in this book and in this conversation includes trans women]
Delighted to share the latest special issue of the Black Scholar on the convergence of black studies and the digital humanities known as Black Code Studies–co-edited by Mark Anthony Neal and yours truly!
The Black Scholar is proud to announce the release of “Black Code,” a special issue of the Black Scholar. The guest editors, Jessica Marie Johnson and Mark Anthony Neal, have assembled a collective of digital soothsayers working on the margins of Black Studies, Afrofuturism, radical media, and the digital humanities. Black Code Studies is queer, femme, fugitive, and radical; as praxis and methodology, it waxes insurgent when the need arises. And in this moment, we are in need of Black digital insurgency, one attuned to racial scripts of the past even as it looks to future modes of Black thought and cultural production for inspiration. Barely scratching the surface, this issue welcomes new work and celebrates a Black digital fugitivity that has been present since the beginning of the internet. Our contributors include Alexis Pauline Gumbs, Lauren Cramer, Alessandra Raengo, Tara L. Conley, Ashleigh Wade, Aleia Brown, Joshua Crutchfield, Megan Driscoll, Ahmad Greene-Hayes, and Joy James, with an introduction from Jessica Marie Johnson and Mark Anthony Neal, and cover art from John Jennings celebrating Octavia Butler’s iconic novel Wild Seed.
Preview the introduction by Johnson and Neal, the co-editors, by following this link:
We hope you enjoy the work as much as we enjoyed bringing this phenomenal group of scholars together! Hurray! It’s here!!!
“Rádio Yandê combines a strong sense of community with digital media to bring Brazil’s indigenous cultures and languages to the forefront. “The station, which began streaming…